My practice is rooted in the concept of biophilia—the innate human connection to and affinity for the natural world. Throughout my work, the body reappears within the landscape, reflected in the countless forms and structures of plant life. Through expansive wall sculptures, I explore the intimate relationships between the body and the botanical.

My current work consists of systems of hand-carved clay seeds and leaves, inscribed with patterns and symbols that evoke cycles of growth, memory, and life. Warm earth pigments accentuate these surfaces, referencing biodiversity and the delicate ecosystems of which we are a part. The carvings are suspended on sewing needles or pins—fragile yet resilient objects that support and connect, while their reflective metallic surfaces continually mirror the present moment.

Each carved form is a living organism, shaped through a slow, meditative process that remains embedded within the work itself. Together, these elements create immersive ecosystems that invite contemplation of our physical connection to the natural world. As daily life becomes increasingly mediated and detached from direct experience, my work serves as a reminder of the importance of presence, embodiment, and our enduring kinship with nature.